脩心轉性救劫回生 - T13: Difference between revisions
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|commentary=Vincent Goossaert [ENG]: The spirit-written revelations are from 75 different gods, but the most prominent is Lüzu, followed by Wenchang and Guandi. The contents are arranged chronologically (1870-1872) in 3 juan, and combine short poem and prose instructions to altars members with longer essays on various moral issues. | |commentary=Vincent Goossaert [ENG]: The spirit-written revelations are from 75 different gods, but the most prominent is Lüzu, followed by Wenchang and Guandi. The contents are arranged chronologically (1870-1872) in 3 juan, and combine short poem and prose instructions to altars members with longer essays on various moral issues. It is clearly the product of one altar, but we are not told its name and location. The 戴鴻慈 preface says it was printed by the Quanshantang 全善堂. (Dai wrote a preface for a reprint in Guangzhou, saying the book did not originate there). | ||
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Revision as of 15:11, 24 October 2021
脩心轉性救劫回生 Xiu xin chuan xing jiu jie hui sheng |
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| 別名 Other Titles: None |
| 有關人物 Associated Persons:
出版地區 Place(s) of Publication: 版式 Format: 木刻版 出版者 Publisher(s): 出版年 Publication Date: 1872 載於 Located In: Shanshu baojuan yanjiu congshu - T, vol. 5 |
| Cite as 引用為: "CRTA 脩心轉性救劫回生 - T13" |
Xiuxin chuanxing jiujie huisheng is a collection of spirit-written instructions revealed at one altar in 1870-1872.
別名 Other Titles
Cultivating one's heart and returning to one's nature so as to avoid the apocalypse and revive [Translated title]
出版地區 Place(s) of Publication
出版年 Publication Date(s)
有關人物 Associated Person(s)
No Additional Information
內容 Contents
序跋等 Prefaces and Postfaces
- 序
- 1870
- 呂廷焯
- 序
- n.d.
- 戴鴻慈
註疏 Commentary
Vincent Goossaert [ENG]: The spirit-written revelations are from 75 different gods, but the most prominent is Lüzu, followed by Wenchang and Guandi. The contents are arranged chronologically (1870-1872) in 3 juan, and combine short poem and prose instructions to altars members with longer essays on various moral issues. It is clearly the product of one altar, but we are not told its name and location. The 戴鴻慈 preface says it was printed by the Quanshantang 全善堂. (Dai wrote a preface for a reprint in Guangzhou, saying the book did not originate there).
References
參考文獻 Bibliography
None
電子全文 Digital Fulltext
None Available
